History Behind Nicolas De Largillierre S Family Portrait
| Nicolas de Largillière | |
|---|---|
 Self-portrait of Nicolas de Largillière | |
| Built-in | (1656-x-x)ten October 1656 Paris, French republic |
| Died | 20 March 1746(1746-03-20) (aged 89) Paris, France |
| Nationality | French |
| Education | Antwerp |
| Known for | Painter |
| Movement | Rococo |
Nicolas de Largillière (French: [nikɔla də laʁʒijiɛʁ]; x Oct 1656 – 20 March 1746) was a French portrait painter, born in Paris.
Biography [edit]
Early life [edit]
Largillière's father, a merchant, took him to Antwerp at the age of three. As a boy, he spent virtually 2 years in London. Sometime later his return to Antwerp, a failed try at business led him to the studio of Anton Goubau. However, Largillière left at the age of xviii and went to England, where he was befriended and employed by Peter Lely for iv years at Windsor, Berkshire.[1]
Painting career [edit]
Early career [edit]
His painting caught the attending of Charles II, who wished to retain Largillière in his service, but the controversy aroused past the Rye House Plot confronting Roman Catholics alarmed Largillière. Largillière left for Paris, where he was well received by the public equally a painter.
Upon ascending to the throne in 1685, James Two requested Largillière to return to England. James II offered Largillière the part of keeper of the purple collections, but he declined due to beingness uneasy most Rye House Plot. Notwithstanding, during a brusk stay in London, he painted portraits of the male monarch, the queen Mary of Modena, and the prince of Wales James Francis Edward Stuart. The portrait of the Prince of Wales could not have been painted during Largillière'due south stay in London because the prince was not born until 1688. The three portraits painted by Largillière of the prince in his youth must have been executed in Paris, where he returned sometime before March 1686. The portrait of Male monarch James II was painted in 1686. King James is portrayed in golden armor with a white cravat and is positioned in forepart of a watercolour-like background set in a round frame.
French Academy [edit]
In Paris, during the year 1686, Largillière produced a portrait of the painter Charles Le Brun for admittance to the French Academy. The portrait shows Le Brun, so the chairman of the university, at piece of work on an entombment, surrounded by classical busts and figurines scattered upon the floor and table within the picture. Le Brun, impressed by Largillière's portrait, accepted him to the academy. In 1690, Largillière was documented past the French Academy as a historical painter, which was a prominent artistic tendency of the academy until the introduction of Édouard Manet.
In 1693, Largillière painted the Governor of Arras, Pierre de Montesquiou, to celebrate his promotion to brigadier in 1691.
In 1694, Largillière'southward fabricated a multi-figure piece of work that is displayed in the church building of Saint-Étienne-du-Mont.
In 1709, Largillière painted the majestic family unit portrait of The Family of Louis Fourteen. This portrait shows King Louis XIV, Madame de Ventadour (governess of the children of the Duke of Burgundy), the 3-year former Louis, Duke of Brittany (1707–1712), Louis, Thou Dauphin and Louis, Duke of Burgundy, future dauphin. The King displays a sense of slight uneasiness unlike the other figures especially. In the painting, Largillière used the Renaissance technique of structured disposition.
A yr later on, Largillière painted a self-portrait which also contained 2 female members of his family.
Later career [edit]
Towards the end of his life, Largillière painted a repetition of anonymous male portraits of Parisian nobles. One example was painted in 1710, of a human standing with spread fingers that conceal a letter held in the other hand. Another portrait from about 1715 shows a frontal 3 quarter view of a man dressed in similar clothes and wig with a Doric column in the background.
In 1714, Largillière painted Rex Augustus Two of Poland. Largillière likewise painted the artist Jacques-Antoine Arlaud in a red robe in a similar fashion to Largillière'southward portrait of the painter Charles Le Brun, every bit well equally the sculptor Nicolas Couston. Around the next year, Largillière painted The Study of Different Types of Hands, which currently resides in the Louvre.
In 1718, Largillière painted the French poet and essayist Voltaire.
The Entry of Christ into Jerusalem was a landscape painting that Largillière painted in 1720.
Largillière made his last cocky-portrait in 1725. This portrait displays the artist at his easel staring toward the audience.
Largillière was appointed equally chancellor of the French Academy in 1743.
Decease [edit]
Nicolas de Largillière died on xx March 1746 at the historic period of 89. Upon his death, he donated to French republic several pocket-size landscapes and still life pictures he had created.
Legacy [edit]
The Ashmolean Museum (University of Oxford), the Fitzwilliam Museum (University of Cambridge), the Honolulu Museum of Fine art, the Louvre, the National Gallery of Fine art (Washington D.C.), the Nelson-Atkins Museum of Art (Kansas Urban center, Missouri), the Musée des Beaux-Arts de Strasbourg and Pinacoteca di Brera (Milan), Calouste Gulbenkian Museum, Museu Nacional de Arte Antiga (Lisbon), Museum de Fundatie (Zwolle),[2] the Detroit Establish of Arts (Detroit) and the Speed Art Museum (Louisville) are among the public collections holding works past Nicolas de Largillière.
Jean-Baptiste Oudry and Jacob van Schuppen, Largillière's student and nephew respectively, were as well rococo painters.
Gallery [edit]
-
Portrait of Elizabeth Throckmorton
-
-
Portrait of Louise-Madeleine Bertin, Countess of Montchal
-
Portrait of a Homo in a Royal Robe
-
-
Self-portrait with family unit
-
-
-
Portrait of Marguerite Bécaille
-
Portrait of Pierre-Joseph Titon de Cogny
-
Portrait of Jeanne-Cécile Le Guay de Montgermon
-
-
-
Portrait of a lady with a canis familiaris and a monkey. (1700–1710)
-
André François Alloys de Theys d'Herculais (1692–1779)
References [edit]
Media related to Nicolas de Largillière at Wikimedia Eatables
- ^ Chisholm 1911.
- ^ [1] [ dead link ]
Attribution [edit]
This article incorporates text from a publication now in the public domain:Chisholm, Hugh, ed. (1911). "Largillière, Nicolas". Encyclopædia Britannica. Vol. sixteen (11th ed.). Cambridge University Press.
zimmermanlibehiss1999.blogspot.com
Source: https://en.wikipedia.org/wiki/Nicolas_de_Largilli%C3%A8re
0 Response to "History Behind Nicolas De Largillierre S Family Portrait"
Post a Comment